In the buildup to the ND/USC game this year, I picked up this one at Odie’s place to satiate my school spirit. I happened to be reading the chapter on the Miami game as ND prepared for this year’s contest against USC. That certainly fed my excitement about the epic clash. Maybe the comparison can be made with other coaches as well, but there seemed to be quite a few similarities between the way Holtz and Weis talk about their teams. Both are very focused on taking the season one game at a time. There is very little time to celebrate a victory, because in seven days, that victory is meaningless. Both are perfectionists; they look for flaws in the performance and seek to improve, even after blowout victories. However, the criticism is usually placed on a team as a whole and all facets of the game are evaluated with equal rigor. That said, both are quick to praise their players publicly, usually by name. In terms of strategy, they’ll beat you with what’s working. For example, Holtz had games where ND rarely threw the ball. This year, we’ve had games where we hardly ever ran. Balance is overrated if you’re winning. Anyway, it’s not the most well written book ever, but I sure got fired up for that USC game because of it.
Category Archives: media
Who sang the ‘Perfect Strangers’ theme song?
Andy heard the theme song to Perfect Strangers on TV the other day and vowed to find it on the internets. True to form, he did. But I wondered who actually sang that song? Was it written for the show or adapted from a longer song (like the theme to Cheers)?
Not surprisingly, “Nothing’s Gonna Stop Me Now” was written by Jesse Frederick and Bennett Salvay specifically for the show. It was performed by Pomeranz, and apparently was enough of a highlight that it made his biography. There were two versions of the songs used of varying length. The full lyrics can be found at the bottom of the Classic TV Database entry.
Freakonomics (Steven D. Levitt and Stephen J. Dubner)
The authors define “freakonomics” as the application of economic principles to non-financial questions. I started reading it on a flight from SFO to O’Hare and finished it as the plane was landing, so it’s certainly interesting and well written. Similarly to Blink, the only thing more intriguing than the topics are the conclusions. The theme is to be skeptical of conventional wisdom; it’s Moneyball for everything outside of baseball.
The Levitt/Dubner team now also has a blog of the same name to continue the discussion of these (often random) questions scientifically.
Yes Man (Danny Wallace)
Saying “Yes!” to everything seems like it should be a really bad idea. Just think of the amount of advertising we’re subjected to on a daily basis. But despite a fair amount of close calls (almost getting beat up in a bar, doing drugs with a stranger in Amsterdam, almost being consumed by a Malaysian lizard) and mounting credit card debt, saying “Yes!” turned this Brit’s life around. What struck me was how he referred to his way of life, e.g. “Yes wanted me to do this,” as if Yes were a higher power. This book has probably been written with the word “Yes” replaced by “God.” What started as a way for Wallace to force himself to hang out with friends more often thus turned into something of a spiritual journey, as he relinquished control of his life.
Add this one to my list of books for a hypothetical high school English class.
Apparently the Yes Man story inspired a bit of a cult, which Wallace has dubbed “Join Me.” It’s quite popular in Belgium, but he’s still working on the Norwegians.
Hard Sell (Jaime Reidy)
Here’s the true story of why you’re prescribed a certain medication when you go to the doctor. It’s not what you think. This was an interesting follow-up What Should I Do With My Life? Shouldn’t someone working less than 30 hours a week and making six-figures would be happy? Actually, I’d be miserable at that job too. The only success I ever had selling anything was M&Ms in 6th grade for our trip to Camp Bernie. I stood outside Grand Union every day for a week and asked everyone who passed, “Do you want to buy a box of M&Ms?” I remember one guy tried to give me some tip about saying I was from St. Thomas More School and we were doing a fundraiser for our retreat and all. Wow, that didn’t work at all.
What Should I Do With My Life? (Po Bronson)
The best aspect of this book is that it doesn’t profile the most successful (rich) people in the world as most books concerning the subject would. We all know that Bill Gates dropped out of college and became filthy rich; that doesn’t help me figure out how to live my life. Po’s approach is more focused on how people found what really makes them happy in life. The people, journeys, and destinations are quite diverse. While there likely isn’t one person that the reader will identify with, there are so many stories that the reader is likely to see similarities in many of those profiled. If nothing else, it made me feel more confident about my path, so in that sense, I’m glad I read it.
Starlight Mints – Built on Squares
Built on Squares is an interesting little CD I picked up at Rasputin on an indecisive New Music Friday. Starlight Mints were listed in the computer as a “similar artist” to the Eels, and and the album’s used price was right. Like the Eels, there are a variety of instruments, including strings, trumpet, and a strong infusion of electronic sounds. Starlight Mints is what you’d get if you took the personal component out of the Eels and replaced it with full time playfulness.
Arcade Fire – Funeral
The Arcade Fire and their debut album have some unique aspects. First, I don’t know of many husband/wife teams in bands. Second, there are four songs named ‘Neighborhood’ on Funeral. Third, the liner notes are packaged as a funeral program. The Arcade Fire is why you listen to indie rock. It feels experimental. There are accordions and xylophones and weird effects on top of the normal stuff. You might have heard ‘Rebellion (Lies)’ on the radio or the chanting ‘Wake Up’ at the Byrne/Gielow wedding of 2005, which are good ones, but I think the opener ‘Neighborhood #1 (Tunnels)’ is my favorite track. The key to enjoying this album is to just be patient and listen.
Columbus Was Last (Patrick Huyghe)
I found this in the sale section of Barnes and Noble after reading 1421, which describes the Chinese world expedition that commenced in that year. Columbus Was Last summarizes 15 pre-Columbian “discoveries” of America. The stories come from every part of the world and vary in believability. The best section of the book is the last chapter which attempts to explain why Columbus’s voyage became legendary while others were forgotten, in spite of apparent discrepancies in the Great Navigator’s accounts. Although only one (Vikings landing in Newfoundland) is generally accepted scientifically and historically, I’m convinced that at least one other party made their way to America between the native Americans and Columbus. Unfortunately, we’ll probably never know for sure who actually made the journey.
White Stripes at the Greek Theater
Last week, Melissa and I saw the Detroit duo of Jack and Meg White at the Greek Theater. This was the second time I’ve seen the Stripes in Berkeley, after seeing their show in fall 2003. Jack came out in some sort of 18th century military officer’s regalia, wearing a black coat with medals and black hat with white plume. Interestingly, the roadies wore uniform black suits with black shirts and red ties. The show started with a bang with ‘Blue Orchid,’ ‘I Think I Smell a Rat,’ and ‘Dead Leaves and the Dirty Ground.’ The live favorite ‘Hello Operator’ was broken up by the Meg’s ‘Passive Manipulation.’ While I’m not a huge fan of the album version, the song I was most excited about seeing performed was ‘The Nurse,’ featuring Jack on the marimbas. At 31 songs, the set list was spanned all five Stripes albums and a few non-album tracks (‘Cause It’s My Birthday,’ ‘Boll Weevil’).
For better or worse, the concert will be memorable for the audience interruptions. First, a Live 105 balloon was batted around the crowd. As soon as I saw it enter the amphitheater floor, I knew this was going to be trouble. Of course, it ended up on stage next to Jack as he played piano on ‘My Doorbell.’ This prompted an unplanned 5 minute break from the band. In my opinion, it ruined ‘My Doorbell,’ but the next few songs seemed to have extra juice played by an infuriated Jack.
After the show, Melissa and I were curious to see if the radio station would make mention of it. Oddly, the same thing happened at the previous night’s show with a different station’s balloon. A post on whitestripes.net suggested that the incident at our show was an act of sabotage by another station, but Live 105 started airing apologies for the incident and ran a contest to give away the rest of their balloons to prevent future mishaps. Others wondered if the Stripes were in on the trouble since security did nothing to corral the wayward ball or prevent its journey to the stage. The fact that Jack didn’t mention the previous night’s episode furthers this hypothesis.
A second incident of audience participation came in what we assumed was the concert’s finale ‘Boll Weevil.’ At the end of the song, a guy jumped on stage (not difficult at the Greek), ran over to Jack, put his arm around him, and sang a couple lines from the song. Jack backed away, and a roadie tried to restrain the obviously drunk guy. The guy got away and jumped into the crowd, apparently hoping they would catch him. This was not the case. He instead fell directly onto the concrete floor, then tried to get through the crowd to the exit. Back at the mic, Jack directed to crowd to be quiet and point at the guy as he tried to escape. He taunted the dude for a couple minutes, then offered up an additional song, ‘Fell in Love with a Girl,’ as a tribute to him.
Audience interruptions notwithstanding, this was a fantastic concert as Jack White reaffirmed my opinion that he’s one of the premier showmen of our age. Interestingly, while Jack seems to feed off the crowd, Meg doesn’t seem to like her position of celebrity, very shyly bowing to the crowd, and setting her drum set to face Jack, not the audience. This could be all part of the act though, as she performed ‘Passive Manipulation’ (and ‘In the Cold Night’ last year) with seemingly little trepidation.